It does do a weird thing with playlists, where it copies the actual song in the playlist and does it repeatedly if it's in different playlists, but it's a small price to pay in terms of features and it's FREE! It's Great! Use it and tell people! Also use a different player and buy elsewhere.
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I wonder how many people have lost data hitting 'Sync' not knowing it will erase all their music on their iPhone? Stop being the copyright police Apple and make a user friendly music player!Anyway DeTune allowed me to move all my stuff back to my Mac right through drag and drop into a folder in the Finder, put songs into nmed folders with a better, more logical naming format and I recovered 100% of my data, including movies, podcasts and audio books. I thought DeTune on the Mac was great! My system (Mac OS X Mountain Lion) went down and luc kily my library of ten years of music from all over the place was on my iPod Classic, but stupid Apple has created the destructive program called iTunes, that only allows copying the iTunes content to the iPod, not the other way. SP sound for E-mu SP-1200 lovers Akai S950 filter emulation Combined RPM/detune slider Actual pitch remains unchanged HiDPI / Retina support. However, it ought to work as well for things like heavy guitar gating.ITunes won't restore non-iTunes songs! Use DeTune!. It defaults to a value that will silence a 16 bit noisefloor, in case you’re trying to make CDs that go to literally digital black. If there’s bass, the gate will be more cautious about cutting off the lows, and it’ll close more gently. If you’re hitting it with a lot of treble, it can close more crisply. The result is a simple one-knob gate that responds to the speed of waveforms going through it. When signal drops, the gate waits for that crest factor to run out, then begins to fade out the signal in the same way the original Airwindows Gate did: making it seem to fall back, not just go quieter. It’s keeping track of the longest wavelengths of signal, and that determines the ‘crest factor’ over the gate. When signal is going through above the threshold, a special sensor’s being triggered. You may feel that you can pick up on subtle improvements exporting through this, even monitoring at 24 bit through this: depends on how sensitive you are to things way below the threshold of consistent observation.īoth are free, so if you’d like to try monitoring through boutique dither at 24 bit nothing’s stopping you :)ĭigitalBlack is something special from Airwindows: a variable-attack gate. So, there’s a 24 bit option, because that’s correct. It’s at such a low level that you’re certainly not going to be able to hear it consistently, but all the same dithering is the correct thing to do when exporting to a fixed point format.
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This dither/noise shaping gets a nice rich sound out of CD-quality audio.ĭitherTo24 uses Contingent dither, which gets a detailed, finely textured sound. It stores up error energy and releases it in tiny sputters, like vinyl surface noise.
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But the actual dither is the same quality as the professional grade plugin.ĭitherTo16 uses Vinyl dither.
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You just can’t select whichever one you like, or switch to monitoring modes like Silhouette or SubsOnly, as you can with Ditherbox.
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For that reason, I’ve picked two dithers out of what’s shipped with Ditherbox, and you can have top-quality boutique dither for free. DitherTo exists because dither’s not exactly a huge market segment, yet it’s important to getting digital tone with depth and spatiality.